Tag Archive for: history

Azulejos

Portuguese ceramic tiles encapsulate centuries of history and artistic evolution

Azulejo – derived from the Arab word Az-zulayi (‘polished stone’) – is a form of Portuguese and Spanish painted tin-glazed ceramic work found on the interior and exterior of churches, palaces, houses, restaurants, and even railway or subway stations. Although an ornamental art form, these tiles also serve a functional purpose by preventing humidity.

The earliest azulejos in the 13th century were panels of tile-mosaic known as alicatados – derived from the Arabic qata’a (‘to cut’) – introduced by the Moors to the Iberian Peninsula. Tiles were glazed in a single colour, cut into geometric shapes, and assembled to form geometric patterns (so-called Islamic or Mudejár design). Beautiful examples can be admired in the Alhambra of Granada and the Alcázar in Seville, Spain, and to the present day in Morocco.

Towards the late 15th and early 16th centuries, Seville became an important centre for the mass production of a type of tyle known as cuenca (‘hollow’) or arista (‘ridge’). In this techniques, motifs were formed by pressing a metal or wooden mould over the unbaked tile, leaving a motif delineated by thin ridges of clay that prevented the different colours from merging into each other during baking.

The same techniques were introduced into Portugal by King Manuel I – after a visit to Seville in 1503 – who subsequently decorated his residence palace in Sintra with azulejos. The Portuguese adopted the Moorish tradition of horror vacui (‘fear of empty spaces’) and covered both the walls and floors with tiles.

During the Era of Discovery and trade with the East, Europeans became fascinated by the elegance of Chinese porcelain and the Dutch began making tiles in similar blue and white tones in an attempt to imitate this technique.

In the second half of the 17th century, these blue-and-white tiles from Delft were introduced into Portugal. Craft shops in the Netherlands created large tile panels with historical scenes for rich Portuguese clients. However, at the end of the century, King Peter II stopped all Dutch imports and homemade blue-and-white figurative tiles became the dominant fashion, superseding the former taste for repeated patterns and abstract decoration.  

The late 17th and 18th centuries became the ‘Golden Age of the Azulejo’. Mass production not just started because of greater internal demand, but also because of large orders coming from the Portuguese colonies i.e. Brazil. Churches, monasteries, palaces, and even ordinary houses were covered inside and outside with azulejos, many with exuberant Baroque elements. Scenes of daily life, landscapes, and biblical stories graced the ceramic canvasses.

At the start of the 20th century Art Nouveau-azulejos started to appear. Rafael Bordalo Pinheiro founded a ceramics factory – nowadays a museum – in Caldas da Rainha, where he created pottery designs and decorative plates. Art Deco-azulejos made their appearance in the 1930s. The monumental decorations in the São Bento railway station in Porto – consisting of 20,000 azulejos – show historical themes of a romantic lifestyle.

The oldest, still functioning tile factory – called Sant’Anna – is situated in the capital since 1741. Today, 90% of its production is exported abroad.
The Museu Nacional do Azulejo (National Tile Museum) in Lisbon is worth a visit as it houses the largest collection of Portuguese tiles in the world.


Boa semana                                                       Enjoy the week



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Portuguese

‘Portugal is still a backward country’ – Elisa Ferreira (EU commissioner)

Portugal is about twice as big as the Netherlands and has 10 million inhabitants, of which 2 million live abroad. Last week – on the 5th of October – Republic Day was celebrated, memorizing the overthrow of the monarchy in 1910.

Since the Carnation Revolution in 1974, urbanization has increased at the expense of the countryside, and the coastal region has become more densely populated, younger, and richer. The two metropolitan areas of Lisbon (at the Tagus river) and Porto (at the river Douro) – cover 5% of the territory, half of the population, and more than 50% of the gross domestic product, an important indicator of economic wealth.

The isolated geographical position (‘where the land ends and the sea begins’) and the struggle to escape poverty and overcome the scarcity of natural resources have always been a constant in Portuguese history. It stood at the origin of the Portuguese discoveries in the 15th and 16th centuries and was the cause of successive waves of emigration.

The impossibility of combining national sovereignty with regular trade relations with Spain has pushed the country towards the Atlantic and Britain was Portugal’s main trading partner for centuries. The importance of this relationship dates back to the Treaty of Windsor in 1386.

During the Estado Novo of dictator Salazar and despite the political affinities of the two autocratic regimes, Portugal and Spain kept their backs turned and trade relations between the two countries remained almost non-existent until their entry into the European Union. Nowadays, Spain is the main market for the Portuguese export of goods.

The small size of the economy and the awareness of its economic backwardness in relation to the more developed European countries is a fundamental feature of the Portuguese identity.

As said, things changed in 1986 when Portugal was integrated into the European community. Businesses got access to the latest technologies and global markets and European funds made it possible to catch up with the huge backlog in infrastructure ( i.e. roads) and education.

Paradoxically, progress did not lead to equivalent production growth, and Portuguese workers were long seen as good professionals in tasks that did not require high qualifications (construction, cleaning, clothing industry).

The poor growth and the financial crisis at the beginning of the 21st century lowered the country’s expectations. Many citizens lost confidence in the country’s ability to change and innovate. This loss in confidence was one of the reasons why nearly half a million Portuguese emigrated between 2010 and 2020. It also reflects the giving up of many Portuguese to change their country.

Progress was also not able to solve one of the biggest problems in society: the high incidence of poverty among the young and the elderly. Portugal is one of the most unequal countries in the EU. Being born into an economically and socially disadvantaged family is practically a condemnation and hard to tackle in a low-growth economy.

Demographic projections point to an accelerated aging and ‘shrinking’ of the population. An older population tends to be more resistant to change and innovation, which can be an obstacle to productivity growth. More innovation and investment in workers’ skills will be essential to offset the negative effects of population decline and aging.

Over the past decades, the Portuguese have accumulated one of the highest debts in the EU as a percentage of GDP. The rise in debt has coincided with a fall in savings which became one the lowest in the EU. High debt and low savings make households more vulnerable to shocks, such as the debt crisis in 2011 or the Covid-19 pandemic.

The country has definitely undergone profound economic and social changes but as long as the most qualified young people emigrate, Portugal will continue to live below its means. This is not just a failure of the economy but also of the Portuguese democracy.

Enjoy the week                               Aproveite a semana












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Mocambo

‘The Portuguese history is not just white, Mocambo may not remain forgotten’.

Around 1500 King Manuel I decided to give the monopoly of slave trafficking in the Portuguese empire to Lisbon. For two and a half centuries circa 10% of the population in the capital consisted of black slaves, performing the hardest tasks. In one of the western districts, next to the Tagus river, between Bairro Alto and  Madragoa – the first African neighbourhood of Europe was born.

It was here that many Africans – enslaved or freed – found shelter. Mocambo – a word in Umbundu (one of several Angolan languages ) meaning ‘place of refuge’ – became in the 16th century one of the most populated neighbourhoods in Lisbon. Away from the white Portuguese gaze, the place was essential for African memories and the preservation of social and religious practices (weddings, funerals)  

Those who lived there worked in the maintenance of Lisbon’s public places. Sweepers, water distributors, whitewashers – preserving the houses, monuments, and sidewalks. The black or mulatto women worked as a maid or ran barefoot all over the capital to sell fish or coal.  

It is from the 16th century onwards that the arrival of enslaved Africans gave rise to physical and social rejection (‘black as coal’, ‘smelly, ‘ugly’) An image of the African slave, as inferior, and subordinate was established. For a long time, looking at black people were looked at as an ethnic group that was not worthy of being studied.


In Madragoa – where the Portuguese tradition was born of covering façades with tiles to protect property from the humidity rising from the Tagus – there are still some reminders of slavery. Next to the Santa Catarina church, is the Cruz de Pau (‘Wooden Cross’), the place of punishment inflicted on the enslaved. Rua do Poço dos Negros (‘Black Wells Street’) was the place where King Manuel had a well-built, where the dead bodies of the enslaved were thrown in.

One of the most remarkable moments in Mocambo happened in 1882 when the Queen of Congo – Dona Maria Amália I – stayed there along with her entourage. She had traveled to Portugal to pay homage to the king of Portugal but it were the ‘amazing’ African festivals in Mocambo, that caught the attention of the newspapers.

At the same time, the descriptions of Mocambo changed from ‘one of the best suburbs of Lisbon’ to a ‘dirty’ place, full of ‘epidemics’. The neighbourhood began to receive more and more fishermen and Africans headed to other parts of the country, especially after slavery was abolished in Portugal in 1773.

Maps from the late 19th century no longer show any reference to Mocambo. All that remains is Casa Mocambo with an African restaurant and an Art Gallery. A stage for African Lisbon where film cycles dedicated to the black community are organized, as well as theatre sessions and concerts by African musicians. ‘We have such a mixed Lisbon and all we talk about is white Lisbon. I want to change that’, explains the owner Mafalda Nunes.


Enjoy the week            Aproveite a semana                (pic Público/Sapo)











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Flag


Historically, flags were used for identification in battles.
The oldest national flag is Denmark’s 13th-century flag with its white cross on a red background. The legend goes that it was sent from Heaven to help the army during the Battle of Lyndanisse in 1219.
It inspired the cross design of the other Scandinavian countries – Norway, Sweden, Finland, and Iceland.


Most national flags portray the country’s history, beliefs, and strengths. They are used to show unity and pride, clearly evident during a state visit or international sports events.
 

The color red represents struggle, courage, and bloodshed whereas green depicts prosperity, hope, and agriculture. White signifies peace, purity, and harmony while blue is for good fortune, determination and liberation. Orange stands for sacrifice, courage, and selflessness, and yellow for wealth and energy. 


Portugal’s flag (Bandeira de Portugal) has evolved since the Kingdom of Portugal was formed in 1139.
After the Republican revolution in 1910, the royal colors blue and white and the crown – symbols of the monarchy – had to be substituted.




The painter Columbano Bordalo Pinheiro – brother of the famous ceramist Rafael Bordalo – was tasked with the new design. He chose the colors of the Portuguese Republican Party, representing the hope of the nation (green) and the blood of those defending it (red).



The country’s coat of arms in the center remained as it had been present on most of Portugal’s preceding flags. The five blue emblems on the shield – displayed as a Christian cross – are a reminder of the five Moorish kings (from Seville, Badajoz, Elvas, Evora, and Beja) defeated by Portugal’s first king Afonso Henriques in the 1139 Battle of Ourique.



The five white coins within each emblem represent Christ’s five crucifixion wounds. The seven castles around the emblems symbolize the enemy fortresses  King Afonso captured during the conquest of Portugal’s most southern part – the Algarve – in 1249.  



The flag of the Netherlands is the oldest tricolor. As a state flag, it first appeared around 1572 in orange, white, and blue as used by Prince William of Orange but from 1630 the red-white-blue version became the national symbol. The Dutch tricolor has inspired many flags most notably those of Russia, New York City (New Amsterdam), and Slavic states such as Slovakia, Serbia, and Slovenia.



The best-known flag in the world today is probably the Ukrainian blue and yellow bicolor. The blue on top represents the sky and the yellow stripe stands for fertile land. It was officially adopted as a state flag after World War I by the Ukrainian People’s Republic, outlawed when Ukraine was part of the Soviet Union, and restored in September 1991, following Ukrainian independence.
The Uranian flag, not only stands for national pride and sovereignty but also for international solidarity with its people.



Enjoy the week                                                          Aproveite a semana




















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Tea

The Chinese leaf that conquered the world

There are roughly two ways to say tea in the world. One is like the English expression – thee in Dutch, tee in German or thé in French. The other is a variation of cha – chay in Russian, chai in Swahili or shay in Arabic. Both variations come from China. The words that sound like cha spread across the land, the tea saying spread over water.

The term cha – Chinese for tea – originates from central China and made its way through Asia – along the Silk Road over 2000 years ago – becoming chay in Hindi and Persian.
But the Chinese character for cha is pronounced as te in the Min Nan variety of Chinese, spoken in the coastal province of Fujian.
This te form spread to Europe via the Dutch East Indian Company, who became the primary traders of tea between Europe and China in the 17th century.

Yet the Dutch were not the first in Asia. That privilege belonged to the Portuguese, who didn’t trade through Fujian but Macao, where cha is used. That’s why of all Western European countries only Portugal uses the cha word for tea!

Although it’s fairly commonly known that tea originated in China, it is far less known that it was a particular Portuguese woman, who inspired its popularity in England. Let’s go back to 1662, when Catherine of Braganza – daughter of Portugal’s King John IV – married England’s King Charles II, and became the Queen of England, Scotland, and Ireland. Travelling up north to join her husband, she is said to have taken along loose-leaf tea, that was popular among Portugal’s aristocracy.

When Catherine arrived in England, tea was being consumed there only as herbal medicine and very expensive. The reason for the cost was that England had no direct trade with China and the small quantities the Dutch were importing were so pricey, that only the wealthiest could afford it. Tea became associated with the elite women’s society around the royal court, of which Catherine was the famous centrepiece.

‘The best of Queens, and the best of herbs, we owe
To that bold nation, which the way did show
To the fair region where the sun doth rise,
Whose rich productions we so justly prize.’

( Birthday ode to Queen Catherine. Edmund Waller, 1663 )

Aproveite sua semana                   Enjoy your week          (pic 2 qz.com)

 

 

 

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