Portugal is importing nearly 75% of its food and the Mediterranean country with the heaviest per capita food footprint, meaning that if everyone in the world consumes resources like the Portuguese, 2.5 planets earth are needed.

The biggest culprit is the country’s exceptional appetite for fish. Portugal is – after Japan and Iceland – the third biggest consumer of fish in the world engulfing every year around 62 kg per person, most of it –especially tuna, swordfish, and cod –imported.

But dependence doesn’t stop there. The country also relies heavily on the biocapacity of foreign nations – like Spain, France, Brazil, and China – for cereals, honey, jams, chocolate, and fats. Any short-term improvement isn’t expected, due to the fragile structure of public policies to reverse this trend.  

The Associação Natureza Portugal (ANP) – partner of the World Wildlife Fund – also recalls, that the ecological footprint has increased much more than the global average of 1,6 planets a year.


‘This ecological footprint in our country has mainly increased in the last three years. Portugal now appears in 46th place worldwide, whereas in 2018 it ranked 66th. This is due to the massive growth in tourism after the economic crisis and before the arrival of the coronavirus’, explains Catarina Grilo, conservation director of the ANP.

Besides an excessive consumption pattern, about one million tons of food is thrown away every year. Especially fruits and vegetables are wasted when they lose their expiration date or appearance, although often still suitable for consumption. In the whole EU, it is estimated that annually nearly 90 million tons are wasted.


‘Some supermarkets and department stores have strategies to combat food waste at the same time helping those in need. With the current pandemic, food aid requests increased more than 60%’, explains Filomena Pinto da Costa, coordinator of the youth support organization Casa Pia.

In a country that presided over the EU in the first half of 2021, Portugal had an important role in setting goals to reduce the ecological footprint at the European level. The Minister for the Environment and Climate Action, João Pedro Matos Fernandes, recently declared that 1.2 billion euros of funds are reserved to restore habitats and ecosystems between 2021 and 2027.


Stay Healthy      Fique Saudável                             (pic Público/Sapo)









‘China is very powerful, with a clear vision. But it’s a secret state’ – Ai Weiwei

The Chinese artist and activist Ai Weiwei (1957, Beijing) is one of the most influential and creative names in contemporary art.
In 2020 he was elected as the most famous artist by the international journal The Art Newspaper.

His father, Ai Quing (1910-1996) – writer and well-known poet – was in the 60s the object of purges against intellectuals and artists, that Mao declared counter-revolutionaries and enemies of the Communist Party during the Cultural Revolution. 

Weiwei grew up in the far north-west of China, where he lived under harsh conditions, due to his father’s exile to a work camp in the Gobi desert. ‘The farthest place you can find on the map of China’, as he describes it himself.
Upon Mao’s death in 1976 the family returned to Beijing.

  


As an activist, he openly criticizes the Chinese government’s stance on democracy and human rights.
He was arrested several times and detained in 2011 for 81 days without charge and had his passport confiscated.


After being allowed to leave China in 2015, he subsequently lived in Berlin, Cambridge (UK), and since this year in Portugal.
In Montemor-o-Novo to be precise, in the Alentejo province.


This year he opened his first solo exhibition in Portugal.
Rapture (meaning ecstasy but also abduction) – with 85 pieces his biggest ever – reveals work from the different phases in his life.

For example, photographs taken during the 80’s – when he still lived as an unknown artist in New York. A serpent made of backpacks, symbolizing the more than 5000 children killed in the 2008 earthquake in the Chinese province of Sichuan.


A set of boxes with three-dimensional scenes from the days the artist spent in prison in 2011 and his video film Coronation, about the start of the coronavirus pandemic in the city of Wuhan.


But also works created last year in Portugal with local craftsmen and materials. Such as Pendente, a 10-ton marble toilet paper roll – produced at B Stone – which the artist sees as a symbol of a world struggling to free itself from the pandemic.



Odisseia – the massive tile panel made at the Viúva Lamengo factory – representing the odyssey of refugees around the world and last but not least a statue of the artist himself – brainless and sitting on a chair to which he is handcuffed – made of cork in collaboration with the Corticeira Amorim company.

On the occasion of the 100th anniversary of the Chinese Communist Party (CCP), Weiwei declared that “The one-party system controls the army and the police, there is no freedom of expression and no independent judicial system. The CCP will rule China for a long time, even beyond our imagination.”

Rapture is to be seen until the 28th of November in the Cordoaria Nacional in Lisbon.

Stay healthy                          Fique saudável            (pic Lusolobo)