‘It is time black people have their voice’
As word of the family photo project of the African Diaspora spread last year, Chalo Correia, knew he had to be part of it. Originally from Angola, Correia’s more than three decades of living in Portugal had given him a feeling that he would never fully belong.
The musician saw the exhibition as a way to highlight Lisbon’s large and diverse community of African origin, a community deeply rooted in the country’s colonial history but still seen by many as outsiders. He selected three photos from the 70’s that showed him sitting with friends, a baptism and a family party.
They are part of a collaborative exhibition in Lisbon – on display in the Monument to the Discoveries (Padrão dos Descobrimentos) – offering an alternative to the images of one of Europe’s longest-lived colonial empires.
‘For me, there was need to create a counter-narrative, says Filipa Vicente, historian and researcher at the Institute of Social Science (ICS – ULisboa) to the Guardian. ‘Colonial photography often is a way of dehumanization, revealing people who are often nameless and photographed without consent.’
‘Each of the photographs are chosen by the families themselves’, explains Inocência Mata, professor of Literature, Arts and Cultures at the University of Lisbon, who co-curated the exhibition with Vicente. ‘It is important to show that Black people are not only objects, but also subjects of their history.’
While the family albums are personal– mostly dating back as far as 1975 and reflecting experiences of 35 families who were part of a wave of migration from the country’s former colonies – the footprint of Portugal’s empire is clearly visible. ‘We had such a late and absurd colonialism until the Carnation Revolution of 25 April 1974’, states Vicente. ‘These stories are very much present in our daily lives.’
The location of the exhibition in the Monument to the Discoveries – conceived as a means of glorifying Portugal’s colonial empire – proved controversial. Vicente and Mata, however, saw the opportunity to launch a ‘Trojan horse’, with the exhibition offering a chance to reinterpret one of the country’s most important colonial spaces from within.
The exhibition comes at a time as the country wrestles with the broader question of how to best address its colonial and slave trading past. Earlier this year, Portugal’s president Marcelo de Sousa, told reporters that that the country should ‘pay the costs’ for slavery and other colonial crimes, a suggestion that was immediately shot down by the centre-right coalition government.
Family Albums: Photographs of the African Diaspora in Greater Lisbon (1975 to today) until 30 November.
Enjoy your week Approveite a semana (pic Sapo/Luso)