Tag Archive for: activist

Cesariny

‘Em todas as ruas te encontro – On every street I encounter you’
(from: Pena Capital, 1957)

To celebrate the centenary of the birth of Mário Cesariny de Vasconcelos (1923-2006), the country will mark a year of reflection on the work and life of its most famous surrealist poet, activist, and painter.

Last month the festivities reached the capital with a major exhibition ‘O Castelo Surrealista’ (the surrealist castle) at the Museum of Art, Architecture and Technology (MAAT) – until the 18th of February. Some new publications are also in the pipeline as well as a series of lectures, concerts, and performances throughout the country.

At a very young age, Mário Cesariny learned chiseling to continue his father’s trade, goldsmithing. He didn’t like the subject and entered the Lisbon Conservatory (piano major). During the war, he was shown surrealist magazines from Paris by friends and became captivated by those anomalous texts and images.

In the immediate aftermath of the Second World War, he was initially interested in neo-realism, a movement dominated by the Portuguese Communist Party (PCP), that positioned itself as a viable alternative to the official art of the fascist Estado Novo (New State) of Salazar. But he left the movement soon after because of its fidelity to the representation of people in paintings and its stylistic dictates, including the obligatory use of figuration.    

In 1947, he got the chance to spend some time in Paris, where he visited the International Exhibition of Surrealism organized to reinvigorate the surrealist movement that had been on the verge of disappearing during the war. There he met André Breton, the founder and leader of the French surrealists, and later that year founded the Portuguese Surrealist group (Os Surrealistas).

In 1950, his debut poetry collection ‘Corpo visível’ (visible body) was published outside the censorship of Salazar’s dictatorship. He lived in London and Paris, sometimes for longer periods, to be free of the intrusiveness of the PIDE (secret police) as they kept an eye on him because of his homosexuality and political ideas.

‘Surrealism is a way of transforming life and the world’, he used to say.
‘It is one of the two great revolutions of the 20th century, the other is Lenin’s.’

Only in 1961, when the repressive regime had somewhat softened, his poems were published by an established publisher in Portugal. In 1974 – when the Carnation Revolution liberated the country from the fascist terror – he participated in the Poetry International festival in Rotterdam, the Netherlands after which all his work was published and he was able to make trips to Spain, England, the US, and Mexico.

Cesariny was first and foremost a great poet. Public recognition for his pictorial work came later with the EDP Grand Prize for painting in 2002. That same year, a major retrospective exhibition of his paintings and other visual work was held in several Portuguese museums and an oeuvre catalog was published.
But he also was an excellent translator of poetry, translating work from Rimbaud, Novalis, and Breytenbach.


Happy Holidays         Boas Festas                (pic Público/Zucamag)




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Weiwei

‘China is very powerful, with a clear vision. But it’s a secret state’ – Ai Weiwei

The Chinese artist and activist Ai Weiwei (1957, Beijing) is one of the most influential and creative names in contemporary art.
In 2020 he was elected as the most famous artist by the international journal The Art Newspaper.

His father, Ai Quing (1910-1996) – writer and well-known poet – was in the 60s the object of purges against intellectuals and artists, that Mao declared counter-revolutionaries and enemies of the Communist Party during the Cultural Revolution. 

Weiwei grew up in the far north-west of China, where he lived under harsh conditions, due to his father’s exile to a work camp in the Gobi desert. ‘The farthest place you can find on the map of China’, as he describes it himself.
Upon Mao’s death in 1976 the family returned to Beijing.

  


As an activist, he openly criticizes the Chinese government’s stance on democracy and human rights.
He was arrested several times and detained in 2011 for 81 days without charge and had his passport confiscated.


After being allowed to leave China in 2015, he subsequently lived in Berlin, Cambridge (UK), and since this year in Portugal.
In Montemor-o-Novo to be precise, in the Alentejo province.


This year he opened his first solo exhibition in Portugal.
Rapture (meaning ecstasy but also abduction) – with 85 pieces his biggest ever – reveals work from the different phases in his life.

For example, photographs taken during the 80’s – when he still lived as an unknown artist in New York. A serpent made of backpacks, symbolizing the more than 5000 children killed in the 2008 earthquake in the Chinese province of Sichuan.


A set of boxes with three-dimensional scenes from the days the artist spent in prison in 2011 and his video film Coronation, about the start of the coronavirus pandemic in the city of Wuhan.


But also works created last year in Portugal with local craftsmen and materials. Such as Pendente, a 10-ton marble toilet paper roll – produced at B Stone – which the artist sees as a symbol of a world struggling to free itself from the pandemic.



Odisseia – the massive tile panel made at the Viúva Lamengo factory – representing the odyssey of refugees around the world and last but not least a statue of the artist himself – brainless and sitting on a chair to which he is handcuffed – made of cork in collaboration with the Corticeira Amorim company.

On the occasion of the 100th anniversary of the Chinese Communist Party (CCP), Weiwei declared that “The one-party system controls the army and the police, there is no freedom of expression and no independent judicial system. The CCP will rule China for a long time, even beyond our imagination.”

Rapture is to be seen until the 28th of November in the Cordoaria Nacional in Lisbon.

Stay healthy                          Fique saudável            (pic Lusolobo)







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